Where Do Story Ideas Come From? – Dreams

 Realms Of The Mind

Sweet Dreams… Do you have them? Maybe they’re not so sweet, and you wake up, heart pounding, trying to convince yourself that what you just dreamed didn’t happen? Yep, that’s me, and it happens frequently. So frequently, that I keep a notebook in my top nightstand drawer to record these dreams. Often I will dream an entire plot line and wake up able to remember it.

Dreaming also helps release writer’s block. I don’t get this often, but when I do, I make a point to fall asleep thinking about my story. Many times I awake with the answer to the stumbling block fresh in my mind. This probably has more to do with relaxation and letting my subconscious work while I’m resting, but either way, it is effective.

Tell me about your dreams. Do you dream complete plot lines? Have your own experiences led to dreams that would make fantastic stories? I’d love to hear about it.

Books by Kelly Abell     Cover Designs by Select-O-Grafix

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Sittin’ On The Porch With Kelly – Author Casey Knight – What I Learned From My Editor #amwriting

On the porch today, I’m joined by Urban Fantasy Author Casey Knight. Casey has a wonderful series out  about a classy female wizard who has a flare for fashion and a knack for dispatching the undead, deranged demons and freaky fae-they’re not all cute cuddly sprites. While in the swing enjoying our mint juleps, I asked Casey what she’s learned along her writing journey. She shared with me some important tips she gathered from her editor. Let’s see what she has to say:

  • Read as much as you can from all types of writing and then keep a notebook. I keep a notebook on what techniques, approaches, characters and types of writing I enjoy. What speaks to me intrigues me and keeps me wanting to turn the next page.
  • Once I have a theme or idea for a book I research actual places, events, and people. The search for interesting settings, traditions, rituals and ruins gives my fertile imagination plenty of material to spark an idea.
  • My main characters are all a combination of traits drawn from memorable people I’ve met or read about in my life. They all have quirks that make them interesting and unforgettable. Usually there is a little bit of me in those imperfections making them easier to write about.
  • I try hard to describe their everyday actions and interactions in a way that show the reader who they are. I don’t want to tell them who a character is. I want the readers to reach their own conclusions. I can tell a reader the sun is shining or I can tell them that the glare off the water was blinding.

Thanks Casey! What advice would you give a new writer?

The advice I would give a novice writer would be to keep a notebook of your thoughts and anything that catches your attention. This can be an interesting conversation, news releases and story line that capture your imagination. Then I suggest trying to describe those places, people, and situations until they come alive on the page.

It’s been great having you on the porch. Find out more about Casey on our Porch Guests page, and at her website.

http://www.casey-knight.com

 

 

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Writing Tip #4 – Books About Writing #amwriting

Today, I wanted to list some of the books I have read about writing which have helped me along my writing journey.

One of the first books is Bird by Bird: Some Instructions on Writing and Life written by Anne Lamott. This is a wonderful story of Anne’s journey as a writer, and not only does it offer tips on writing but it is a very encouraging read. As a writer you can hit so many potholes, sinkholes, and speed bumps along your road to a published novel making you discouraged at times.  This is a very helpful book to uplift your spirits and keep you driving along.

Another great series of books that I rely on heavily and have used to a GREAT extent is the Write Great Fiction Series. These are books by various authors on subjects like Plotting, Character Viewpoint and Voice, Scene Setting, Dialogue, etc. They are wonderful. They are filled with writing exercises that help you fine-tune your craft.

I wanted to share with you a story that happened to me when I had my very first book signing. I had become friends with two of the most wonderful ladies in the world. They own a used bookstore in my hometown called The Bookworm. They graciously hosted a book signing for me on Halloween in 2010. Prior to the date, I went in to the store and Jean, one of the owners, said she had something for me. She handed me a book on writing written by none other than Phyllis Whitney. For those of you who don’t know, Phyllis was one of the pioneer writers of the Romantic Suspense genre. I cut my teeth on her as a teen.  She is fabulous and it meant more to me than Jean would ever know to have a book on writing written by her.

In this book, Phyllis offers a great suggestion that I think we can all take advantage of. She starts a notebook on every new book she writes. In this notebook she divides it into sections.  She has a section for Potential titles, Character names, Plot ideas, Plot outlines, and Research. As her novel progresses, she makes notes about what happens where in her novel, character personality traits, plot shifts, etc. This helps her keep track of what’s going on in her books. I thought this was a tremendous idea, and I could just picture her sitting down before the days of computers and writing all of this down.  I find this suggestion extremely helpful, particularly if you’re writing a series.

Please comment on those books that you find helpful in your own writing journey, so we can all build our library.

 

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Put On Your Online Suit – Reviewer Stalking #amwriting

Two Nosy Dogs

 

We’ve seen quite a lot about this topic online lately, so I decided to include it in this series. Authors are naturally sensitive about their work and seek reviews to confirm not only interest in their story, but also the quality of their writing. What you must remember as an author, particularly if you’re new to this venture, is everyone has an opinion and very often it might not be the same as yours. Readers who take the time to write reviews often read thousands of books and consider themselves experts on the way an author writes a story. Expert or not, their opinion deserves respect.

Recently, I read an online post by an author who received a less than stellar review on their book. Their rant about it on social media disturbed me. In the light of presenting yourself as a professional to both the industry and to your readers, you should NEVER react to a negative review publically. Take out your frustration on your pillow, through vigorous exercise, or by talking it out with someone you trust, but DO NOT post your frustration online.

Another thing you should never do is stalk the reviewer and comment to them about their review. They are entitled to their opinion, and even if the review is poorly or unprofessionally written, responding to it only makes you look bad and adds fuel to the fire. I recommend not responding at all to any review other than to thank the reviewer for their time in reading and reviewing your book.

There are some positive aspects to a review which does not paint your book in the most positive light. First, try to learn from it. Any feedback is GOOD feedback. It gives you information you didn’t have before. If there are comments about the writing style or the editing, review the manuscript again with your editor or ask your publisher for a re-edit. Second, if the review offers an opinion on the story that you don’t agree with, move on. Not everyone will like your book. The good news here? When reviewers post what they didn’t like about a book, it often draws in other readers to see if they agree. It can lead to book sales, which is a positive thing, correct?

Bottom line, be professional. I can’t emphasize that enough. Do not respond to a reviewer, other than to thank them, if you must respond at all. Take what you can from the review, absorb it and let it assist in making you a better writer. Trust me, ranting about a review publicly will only hurt your reputation with your readers, not help it.

Books by Kelly Abell     Teaser Designs by Select-O-Grafix

Copyright 2014 by Kelly Abell

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Sittin’ on the Porch with Kelly – Author Cynthia Ley – The Power of Words #amwriting

It’s a little cooler on the porch today, so Author Cynthia Ley and I are sipping hot cocoa with those little tiny marshmallows, a rare drink in Florida. We take the opportunity to enjoy it when we can. Cynthia has an interesting background and shares with us her writing journey and what the power of words has taught her. Let’s listen….

Kelly asked if I would share my writing journey. I’m a newcomer to the world of writing fiction, but have done research writing for a very long time. Fiction was hard for me because, as a shy young student, I was terrified of reading my stories aloud in class, and that was always a requirement in creative writing classes. It wasn’t until this last year that I started working with various authors who encouraged me and gave me terrific feedback. Three published short story collections—one of them a bestseller on Amazon–and here I am! One of my blog entries (see below for link) deals with the issues of writing PTSD.

There have been several things which have influenced me as a writer, whether doing fiction or research writing. A lifelong singer, music taught me the power of phonetics and the impact of sound. These things affect our word choices as writers. Whether we carry a thesaurus in our heads or have one on our desks, we are all looking for the exact, right words to convey a thought or action on paper. As an editor, I frequently see words which sketch out a concept; it is my job to help the writer complete the painting. As an author, I have to be fully cognizant of how sounds impact atmosphere and emotion.

Research writing honed my abilities to communicate precisely.  Fluff, or filler, in research writing is just as superfluous in fiction. It has the cardinal sin of throwing readers off track, and sometimes very badly. The squirrel brain engages, leaping from burrowing underground to frisbees with no way to get back. Writing like this jolts the reader as there is nothing to connect or hang on to. Another fault is using language which is obscure for the everyday and then keeping it obscure. The worst instance of this I ever heard of was Umberto Eco. When criticized for not translating the Latin in Name Of The Rose, he replied to the effect that people who couldn’t read Latin were obviously not well-schooled enough to read the book. The reader is owed an education, not insults. As an American reader with a fair background in liturgical Latin, I struggled through it and did okay, but I suspect such was not the case for the majority of his audience. Translate, explain—and give your reader the joy of an “Aha!” moment.

Tutoring second language students taught me other ways of perceiving language—what concepts are behind words, and the many meanings they can convey. For instance, we differentiate between “house” and “home” and “family.” But in some cultures, these words all mean the same thing—the house we own, the home we live in, our family which lives there–can all be encompassed under one word. Language is a beautiful and subtle thing. A thing worthy of our respect and nurture.

Feel free to comment and ask Cynthia any questions about this post or her writing in general. Look for more about Cynthia and her books on her website and see her information on our Porch Guests page:

https://authorcjl.wordpress.com/

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Self-Publishing Tip #2 – Build Your Author Brand Series – Teasers #amwriting #indiepublished

This tip begins a five part series on Five Ways to Build Your Author Brand. The first tip is to use a teaser for your book. These are pictures that display a snippet or one liner about your story that you can then share on all social media sites such as Facebook, Instagram, and Pinterest. If done correctly, they can draw in a reader to learn more. Here are some things to think about when doing a teaser:

  • Choose a graphic that is visually stunning and related to the theme of your book – but beware of copyright violations
    • Don’t just grab an image from the Internet – it’s best to use a stock photo site to be safe or use pictures you take yourself
  • Make sure your text can be read over the picture. Choose a bold and easily readable font – Try to place it over a more solid or dark place on the photo to be easily read
  • Make sure your text is short – Don’t fill up the picture with words, it’s the visual you want to draw in your readers
  • If you can’t use professional software to create your teaser, hire someone. You don’t want to turn your audience away by looking like a novice (I see this a lot)
  • Be sure to include a link to your book or your author website
    • If you can embed the link with the photo do so
    • If you cannot embed the link – then include your author website on the photo to drive readers to your blog or website
    • Do Not post the Amazon link on your teaser – they are too long and distracting

Here are some samples of what teasers look like:

http://www.selectografix.com/page3.php

Stay tuned for more on ways to Build Your Author Brand coming soon!

Remember – The key to successful self-publishing is to always appear professional

Books by Kelly Abell     Teaser Designs by Select-O-Grafix

Copyright 2014 by Kelly Abell

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Writing Tip #3 – Avoiding Worn Out Phrases – Warning: Adult Content #amwriting

Man Writing On A Parchment

I think I’ll have a little fun today. I was participating in some readers’ forums on various sites and ran across this thread where readers commented on trite, overused, and worn out phrases that authors use in novels. I had to laugh out loud at some of these, and I blushed because I’ve caught myself using a few of them. Where readers get bugged the most are with the terms used for anatomy in love scenes.  I will share some examples of their frustration thus the Adult Warning in the title.

When you are writing it is important to remember a few things. First, the era. If you write historicals then you will want the voices of your characters to be true to form.  You need to use the language of the era and act within the “norm” of the times. That doesn’t mean you can’t have a rebel character, but you wouldn’t want them to be a Duke in England in the 1700s and use the word “Gosh”. Study the vernacular of the times and be true to it.

Descriptions are another area that trip up writers.  Looking for ways to describe the fact that your character has brown eyes, brown hair, and a big nose can be challenging.  You want it to be descriptive without being boring but you can take it too far.  Here are some examples of descriptions that bug readers:

He whipped the eggs into a lemony froth  – Yuck – are eggs supposed to taste lemony? I think they were referring to color but wrong choice.

He spanned her waist with his hands – How skinny was she???

The burning sword of his manhood – Ouch!

His lips slanted over hers – Can lips slant?

Don’t worry, it will fit. –  Oh, boy, there’s an old one.

He purred. – What??? Is she with a man or a cat? Hmmm.

Okay, you get the idea. The other thing to be careful of in love scenes is using words that are worn out and tired.  Here are some examples:

member

nubbin

velvety femininity

porcelain skin

shaft of love

smoldering smokey eyes 

Again, I think I’ve made my point. You want your writing to be fresh and real.

One of the best writers I’ve found who uses this imagery technique better than most is Dean Koontz. Yes, I know you wouldn’t expect this from a horror writer, but, boy, he is good. He can paint a picture with words like no one I’ve ever read.

A final suggestion would be to read your work out loud. If it sounds corny to you then it definitely will to your readers. Look at a revision. The good news is you can always edit!

Hope you enjoyed some of these phrases. Feel free to comment and add your own pet peeves!

Books by Kelly Abell     Cover Designs by Select-O-Grafix

Copyright 2014 by Kelly Abell

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Where Do Story Ideas Come From? The Daily News #amwriting

News Text On Retro Typewriter

They say truth is stranger than fiction. I sure have found that to be the case. Whenever I’m searching for a story idea, I never have to go much farther than my own television. The daily news is a beehive of honey when it comes stimulating an idea.

My first book Sealed In Lies was based on a story about a man who broke into a prominent Virginia Senator’s home and was discovered by the man’s wife. The thief, feeling he had no recourse, kidnapped her then later let her go. My brain took off with this idea. I always ask the question, “What if?”. My question here was: What if the wife didn’t want to be set free? What if the kidnapping was her only means of escaping an abusive relationship?  And a novel was born.

Keep a notebook at your side at all times, and while you’re watching the morning or evening news. be inspired!

Share with me where some of your story ideas come from. You might see them in a future post (with all credit to you of course!).

Books by Kelly Abell     Cover Designs by Select-O-Grafix

Copyright 2014 by Kelly Abell

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Sittin’ On The Porch With Kelly – Author Jenifer Ruff – What I’ve Learned Along My Publishing Journey #amwriting

Today I’d like to share a glass of tea with Jenifer Ruff, published author with World Castle Publishing. We are chatting about what she’s learned along her publishing journey. Let’s listen in:

As a newly published author, I have several “lessons learned” to share about writing, publishing and promoting for the first time.  Let’s talk about the writing.  First and foremost, I love how the entire writing process, from initial ideas to final edits, provides a limitless opportunity for personal growth and humbling new experiences.  Almost all of those opportunities can be discovered from the comfort of your own home, Starbucks, or wherever one is most productive and creative.

When I sat down with the goal of creating my first book, I Googled “how to write fiction” or something along those lines.  I learned that works of fiction have a main character with a goal and contain steps toward that goal interspersed with setbacks.  Equipped with that structural information, I started typing my story, incorporating topics I know, exercise and academia.  Months later, when I believed I had finished, I read it out loud from beginning to end, three or four times, smoothing out the sentences and paragraphs by adding, altering, and cutting heavily until nothing stuck out and bothered me.  I knew it could better, I just didn’t know how to improve it.

When that first novel returned from the editor, I was thrilled to have his feedback and direction!  Somehow, despite reading a countless number of award-winning, well-written novels throughout my life, I never picked up on the fact that most chapters or scenes are, or should be, written using a single point of view.  I consulted a few favorite books from my personal library, and sure enough, all of those authors knew how it was done.  Other characters’ motivations and thoughts were conveyed with dialogue or inferred through the POV character’s observations.  That single bit of new knowledge facilitated the process of deciding what parts of my story belonged in each chapter, and made structuring all future novels easier.  I went back to rewriting with a vengeance.

Looking back, I’m grateful that I wasn’t initially aware of how much I didn’t know, or the visions for my first novel would likely have remained in my head.  Instead, my ideas flowed freely onto my word documents, blissfully unaware that they lacked the guidance of an “experienced writer”.

A few weeks ago I discovered Kelly’s previous blog full of excellent writing tips.  I read all 39 of them on a Friday night, took some notes, and returned to a recent manuscript, excited and armed with new, specific strategies to make it stronger.  I searched for the word “felt” and its derivations and challenged myself to replace most of the twenty instances I found.  This is an excellent writing exercise in itself and Kelly even provided some examples from her own edits. I improved every changed sentence by “showing” versus “telling”, a rule from middle school English class that had slipped from my mind.  So simple, so obvious, yet it wasn’t on my radar until I discovered the tip. Well, better late than never!

Kelly also pointed out that “very” and “really” add little value.  Makes sense, but I found both of those words sprinkled throughout my chapters because I speak them liberally.  It only took five minutes to find and eliminate the ones that weren’t necessary, leaving me with tighter, cleaner sentences.

I’ve also learned that at a certain point I should walk away from a manuscript for at least a few weeks.  While I work on something else, I gain objectivity, and issues that I couldn’t previously see become apparent.  Every sentence I have written in each of my books has been rewritten at least twice, if not completely scrapped.  Hopefully, with time and practice it will get easier, but until then, that’s how it needs to be!  I don’t think I could have finished a novel in the days of typewriters, but writing without worrying about getting everything right the first time helps me get the creative aspects of my story out and onto the computer quickly.

Undoubtedly there is much more to discover about writing, but my books are being appreciated by those reading them, and I enjoy creating characters and situations on paper more than I had ever imagined.

Thanks to all the authors who wrote and shared before me, and the ability to search for advice on the internet. It is very possible to improve a little each day if we make the time.  We often aren’t aware of what we don’t know, so we have to proactively step away from our own writing once in a while and seek out what others in the industry have learned along the way.  However, I’m grateful that I initially dove in and went for it the first time, or I would not be an author today.

Feel free to comment and ask Jenifer any questions about this post or her writing in general. Look for more about Jenifer and her books on her website and see her information on our Porch Guests page:

http://jenruff.com/

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Self-Publishing Tip #1 – NEVER Edit Your Own Work #amwriting

Everyone who owns a computer or tablet these days fancies themselves a writer. In my days as an EIC for a publishing company, I can’t tell you how many submissions I chucked due to poor editing, Gad Zooks! The manuscripts I’ve seen with just basic grammar errors were enough to make my skin crawl, not to mention all the other errors like content inconsistencies, inappropriate POV shifts, purple prose…I could go on and on.

Many readers fancy themselves as a critic, and I can assure you they have no patience for poorly edited work. They will not hesitate to say so in a review. Once that reputation is posted out there for the world to see, it’s very difficult to take it back.

The good news? All that negative press is easily avoided if you’d just hire a good professional editor. Don’t ever try to edit your own work and think it is ready to publish, because I promise you, it’s not. Looking at a manuscript over and over makes you blind to simple things like missed words, improperly spelled words, and an entire host of other things that your brain will read as correct because it’s written that scene. It sees the piece as it is supposed to be, not how it truly is.

A professional editor adds a fresh pair of eyes to your work, as well as the skill to assist you with correcting what you’ve done wrong. I am always amazed when I submit my work to an editor how many errors are discovered. Even after I think I’ve gone through the manuscript with an eagle’s eye, I still miss things. And you will too.

Don’t be cheap. Spend the money on a good editor. You’ll be so glad you did. The last thing you want as a self-published author is to look like you’ve got no clue what you’re doing. Have the patience and take the time to do it right before you share it with the world.

 

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